Other common sizes for fretboard radius are 9.5″, 10″, and 12″. Change ), You are commenting using your Google account. And they are actually putting out more and more 12 inch radius options present-day. I believe many of these greats and more may have opted for a flatter radius across-the-board had they been available at the time. It all boils down to what you ultimately feel comfortable with and what can ultimately suit your needs comprehensively. Yes you generally had to compromise a bit in one way or another, but you got used to it. Gibson Necks Break More Than Any Other Company: J. FROG: Brand: Model: Wood: Fretbrd: Frets: Replaces: Hdstk ... uncomplicated headstock, any radius, All fret tangs are trimmed on the sides. R8 —————————– .925″ Comment by S. Kindley — July 28, 2020 @ 2:52 pm So it’s not uncommon to see a radius’ somewhere between 16 inches and totally flat being offered. If you do not find your specific … Create a free website or blog at WordPress.com. A flatter radius of 12 to 16 inches is popular for guitar soloing and bending notes. This is why I urge everyone at any skill level to go ahead and experiment with other radius sizes even if you feel you already found the best option for you. Another term used to describe Gibson necks is “Baseball Bat”. Actually, the correct terminology would be either fretboard or fingerboard radius and the actual neck shape and size should be called the "neck profile." ** 30/60 is .030 of an inch thicker from front to back then the 60s slim, all the way up the neck. At the end of the day, this is all about feel. If I’m playing a 14 inch neck, I want it to be 14 inch all the way across the neck. link to What In Ear Monitors Do Famous Singers Use. Change ), You are commenting using your Twitter account. ( Log Out / Actually 9.5 has been there go-to radius for production model guitars for probably the last 30 years, with a 10 inch becoming more standardized within the last 10 years or so. Neck Profile Slim Taper Scale Length 24.75" Fingerboard Material Rosewood Fingerboard Radius 12" Number of Frets 22 Frets Medium - Cryogenically Treated Nut Material Tektoid Nut Width 1.695" End of Board Width 2.26" Inlays Acrylic Trapezoids 20 inch radius guitars are few and far between and are basically like playing a completely flat fretboard. They feature a unique steel mounting plate on the back of the pickup that differs from ALL other Gibson pickups, and has 2 height adjustment screws on one side and one on the other side. Greats like Mark Knopfler or Bonnie Raitt did just fine on the rounder radius of the Stratocaster while Duane Allman and Warren Haynes found their sweet spots on Gibson style flatter radius. Each have a strong following and some players won’t use one or the other. A Strat and a Tele both look drastically different to a Les Paul or a big-bodied ES-335 or the double cut SG. A rounder radius of 9.5 to 10 inches is popular for open position chords. There is no right radius or wrong radius. I think most guitar players look for a particular “feel” about the neck when trying to choose a guitar. I’ll post another article on Fender Neck profiles later. ( Log Out / And you have lost some fret height. I really enjoy soloing on Gibson necks that had a 12 or 14 inch radius neck as it felt effortless compared to a Strat which always seemed to need a little more dig and bite in the solo department due to the rounder radius. I will focus on Gibson electric guitars in this article because I have limited experience with playing Gibson acoustic guitars. But more and more companies are introducing a very slight radius as an option to capture more of an audience that otherwise would not be interested in a completely flat neck. R9 —————————– .910″ Re: Gibson fretboard radius? And if you do fall in love right away with it, chances are good it will just get better the more you sit with it. They certainly offer a lot of room to bend notes without buzzing or fretting out and have a very comfortable feel in open position for chords. An excellent way to visualize this is to imagine that the arc of your fretboard is part of a large circle, as shown below. Many iconic guitar players played this neck radius including David Gilmour, Jimi Hendrix Ritchie Blackmore etc. That should pretty much cover all your bases to give you a spot on assessment or a really close assessment if you have some kind of oddball size. My feeling is that they simply did not have many other options. Not tenons or VOS. The Regular (sometimes called Standard) neck is a round neck shape that is 1/32 narrower and not quite as thick front to back as our Wide Fat neck.. Neck Profiles: Fender Guitars | Guitars, Paramedics, Linux, and Me, FS: 2009 Les Paul Jr. P-90 Tobacco Rock Machine! Gibson’s specifications during that time period were notorious for being inconsistent. This term is generically thrown around to describe a very fat neck and is often associated with the 50’s style neck. I do generally subscribe to going with that initial gut reaction. A guitar like the Stratocaster was such an incredible innovation that they grew up playing them that way and that’s ultimately the way they developed the muscle memory in their hands to be comfortable on that radius. Nothing I’ve written here is intended to be authorative on the subject because someone, somewhere out there has an example that will totally contradict what is meant to be a general guide. then I picked up a Carvin with a 20, then a couple of compound radius and I started to really like the flatter radius but with big fat necks like my gibson and fenders. Since the circle is larger, the resulting arc across the fingerboard is flatter — because the width of the fingerboard is the same. Because of its strength and longer "heel", the Wide Fat neck produces warm tones with lots of sustain. Side note: Classical and flamenco guitars are super flat, if you find you enjoy the way that feels, a 14 inch or 16 inch radius will definitely work for you on an Electric Guitar. The back is tapered toward the high strings, more closely matching the natural curve of your hand making it easier to reach the fretboard. Beginning with the 1959 models Gibson began improving specification consistency and started shipping neck profiles with a smaller “profile”. The Les Paul Junior returns to the classic design that made it relevant, played and loved -- shaping sound across generations and genres of music. 14” inch radius is on the flatter side, still in the ballpark of Gibson and approaching the feel of an Ibanez. Naturally, this makes the bigger radius popular among those playing lead guitar – a good example is the classic Gibson Les Paul, which comes with a 12” fretboard as standard and is played by the likes of Jimmy Page, Slash, and early Eric Clapton, among others. whereas on a flatter radius you can just hold the bar more uniformly in one position and run the slide up and down catching all the strings relatively cleanly. it will generally just get better from there instead of trying to force yourself into an option where you reason a way that you can learn to live with it. Dan Laz has been playing Musical instruments since the age of 7 years old and with over 35 Years’ experience has developed a deep understanding of musicianship, gear and the less than obvious details that make the big differences in your Sound & Enjoyment of the instrument you select. Such a fingerboard, for example, may have a 9.5” radius at the headstock end and a 14” radius at the body end; other compound-radius designs used by Fender include 7.25”-12” and 12”-16”. Compound radius necks go from a rounder curvature in open position between frets one in three and they flatten out the higher you go up the neck generally getting as flat as they will be around the 12th to 15th fret. The fretboard radius is a commonly misunderstood term, incorrectly referred to “neck radius”, which leads people to think about the wrong part of the neck. The 50’s style and the 60’s style necks. Joint Angle 0.0° (+/- … This will take a little experience for you to determine whether it is neck profile or the radius itself. 9.5 or 10 inch radius offer a good mix of curvature or arch on the top side of the fret board for playing chords and flatness for single note bending that does not buzz out or fret out. The Wide Fat neck has the same nut width as the Wide Thin neck, but it has a deeper profile. In other words the area where the greatest difference in thickness between the 50’s and 60’s neck profile. What do they all... Steve Harris of Iron Maiden I have found that they have been times I pickup a guitar and say there’s something definitely there but there’s something definitely missing or wrong as well. It has a very rounded top arch on the fingerboard. 50s Early 1st fret ———— .900” 12th fret – 1.00” This is also a good bit of information; If you know you enjoy playing these types of guitars you are an excellent candidate for a flatter radius neck on your electric instrument. 12” radius is in the ballpark of Gibson style guitars which had been celebrated over the years for their overall playability for chording and soloing by countless players including greats like Jimmy page, Slash and Gary Moore. Measuring the neck fingerboard radius. So one radius gauge can have 7.25, 9.5, 10 and 12”. The only difference is that on a rounder the neck you will obviously have to follow the curvature of the neck and angle the slide a bit when approaching the high strings or the low strings. R7 —————————– .920″ Two radius gauges should be all you ever need. This is a neck where the radius is nice and flat at the higher frets, but becomes progressively curved as you make your way towards the nut. As I mentioned earlier in the post it was way too long for me before I found the ultimate radius for myself, you will be well ahead of the game if you can figure this out early on in your playing career. | Reply, RSS feed for comments on this post. Necks from this era were typically fat with smaller frets. Most Les Paul fingerboards range between a 10″ and a 12″ radius. Anyway I hope you enjoyed this and if you have anything to add please feel free to do so by leaving your comments below. ( Log Out / Obviously one can get a Les Paul today with either neck profile however the modern 50’s are not “Baseball Bat” thick. Typically these ranges will be superfast necks for soloing where you will be able to literally push the strings for days without fretting out or buzzing out. I will focus on Gibson electric guitars in this article because I have limited experience with playing Gibson acoustic guitars.… When I started playing we did not have many compound radius necks, or none that I was aware of unless it was an exclusive option. 50s Rounded 1st fret ——- .818” 12th fret – .963”. Start with that, and then start looking in either direction after that to get a comprehensive idea of what is going to be the optimal selection for you. I always liked Strats, and always liked Gibsons but wound up gravitating toward Strats because the string spacing is a bit wider than Gibson necks. Introduced as an affordable option for students and beginners in 1954, the Les Paul Junior has been embraced by musicians for over 60 years. Neck Profile Rounded "C", Rolled Binding Scale Length 24.75" Fingerboard Material Rosewood Fingerboard Radius 12" Number of Frets 22 Frets Medium Jumbo - 18% Nickel Silver Nut Material Bone Nut Width 1.687" End of Board Width 2.241" Inlays Pearloid Small Block Truss Rod Engraved F Hole The 50's style and the 60's style necks. I also was a product of my environment at the time falling into the 9.5 to 10 inch radius as they were the common dimensions for Strats when I grew up playing. If the imaginary circle had a 12″ radius, your fretboard would follow that same arc. What In Ear Monitors Do Famous Singers Use? 14” inch radius is on the flatter side, still in the ballpark of Gibson and approaching the feel of an Ibanez. I personally do not because over the years I have found that there is something psychological that interacts with my playing where I feel I am more at peace playing on one set radius that is uniform all along the fret board from fret 1 to 21 or 22. 60s Slim taper ————— .765″ There are Custom Shop models, VOS, Artist, Gibson USA, Historics, Reissues, and I’m sure some that I’m forgetting. but the general mantra contained in many of my posts is that if you start from a place where you are in awe of how great something feels or sounds at the get-go. Fender commonly uses a radius of 9.5in for its Strats and Telecasters, while Gibson Les Pauls have a fretboard radius of 12in. The neck is thicker toward the bass strings resulting in the asymmetrical shape. I truly like a 12 or 14 inch radius for overall playability as well. While I mentioned a couple of radius sizes, there are a few more that vary to model these include: 7.25”- Typical of … They are also black and cream coils, although some were made with the neck pickup in a single color. I did just want to mention so you do realize you’ll get a little less space in between each fret to squeeze those extra two frets on the scale length of the neck. The radius is usually expressed in inches. The truth is another neck with a 10-16″ compound radius or even flatter should be considered to play solos. Probably the most easily recognisable difference between Fender and Gibson is the variation in body shapes. The concept is really great and the general consensus is that a lot of people love them. Gibson guitar necks are generally categorized into two types. 50s Early ——————— .900″ (from Gibson Custom Shop) | Reply, […] like my Norlin "60's slim" necks at all….it has more "shoulder" to the neck. I would say keep experimenting with different radius sizes until you can find an option where you are really happy doing both tasks. Having the strings set a bit higher allows you greater flexibility to slide up and down without clicking and clanking along any of the frets. « Reply #4 on: April 18, 2013, 05:41:54 PM » surely you can measure this one yourself by drawing a part of a circe of 12" radius with a pencil and some string and making a rudimentary template. Meaning you might try a flat radius neck and absolutely hate it on a fatback super thick neck, while that same radius may be the secret recipe for you on a ultra-thin wizard style neck. Arguably, more important than body shape is the wood that the body is made out of and here lies another difference between Fender and Gi… And like some of the earlier greats used, had their only been 7.25 radius available, I am sure I would ultimately been able to get comfortable playing those. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. The fretboard radius is how much or how lirrle curve is on the top of the fretboard. The neck on the right (Fig. You cannot really determine that until you have sat with all the popular sizes for a period of at least a week or so. So there are the basic options, what’s your initial reaction to what you think suits you best? From Taylor Swift to Ariana Grande, Lady gaga to Post Malone, Justin Bieber and Drake to Sting, Axel Rose to James Hetfield. Classical and Flamenco style necks are traditionally flat with no radius at all whatsoever. The same can be true for any dimension radius. The bridge saddle radius should match or be slightly flatter than the radius of the fretboard. Some measurements taken from Gibson forums. Maybe you are strictly a rhythm player and it doesn’t matter as you just need something that will be great for chords and rhythmic work. The key to note here is that the optimal guitar setup for slide guitar will always have the action set somewhat higher than an absolute perfect set up. Not only do body shapes affect the aesthetic but they also affect tone. The average weight of the neck is .96 lbs. Fretboards for electric guitars usually have a radius between 7.25″ and 14″. From left to right is the neck profile of a modern reissue 1958 Les Paul (R8), a modern reissue 1959 Les Paul (R9), and a 2011 Les Paul Traditional (Trad). 7.25 is a vintage spec typical of what you will find on early model or vintage reissue Fender Stratocaster’s. They are out there so just understand if you come across one it will be literally as flat as it gets while maintaining some form of radius. 1) above uses a 16″ radius. Change ). Bridge Saddle Radius. Ideally you will stumble upon a dimension where chords is a dream and soloing just gets better. I personally like both. Neck Thickness – (measurements taken at nut end of 1st fret) The 490R and 490T Alnico II pickups provide the power to drive. | Reply. Custom Guitar and Bass Necks and Bodies, Pickups, Bridges, Tuners, and Pickguards at Warmoth - The Original Custom Guitar Shop! On the other hand, while Gibson varies slightly, their J-45 acoustic model has a 16” fretboard radius while most if not all of their electric guitar models sit in and a 10” to 12” radius. The 12″ radius of a Gibson Les Paul Traditional. Interesting how it took me so long to stumble upon this but I simply never had a straight 16 inch neck before. Contrast of a 50’s & 60’s Gibson Neck Profile. Some players will find the full second octave of a 24 fret neck is essential and I completely get that. […] I stated in my article on Gibson neck profiles I think most guitar players look for a particular “feel” about the neck when trying to […], Pingback by Neck Profiles: Fender Guitars | Guitars, Paramedics, Linux, and Me — May 1, 2014 @ 2:22 pm Guitars are like tools in … So you basically had to pick a neck radius size that could handle both comfortably and go with it. 50s Rounded —————- .870″ (from a 2008 SG) We are talking a lot here about the top of the necks fret board, but keep in mind that the back of the neck (called the neck profile) may impact the way any given radius performs on that guitar. Using a pick is better for music with a fast tempo because it can be harder to pluck the strings as fast and accurately with your fingers.... We are passionate about Instruments & Audio Equipment and love sharing everything we learn about them. The following table lists common fretboard radii used by major manufacturer. Then your task should be somewhat easier to find a size that works. Warmoth were offering Gibson bodies until they were asked to stop. In my opinion one of the great misconceptions about the neck profiles of 50’s era Gibson electric guitars begins with the 1959 Les Pauls. Waymore Sound strives to be the ultimate resource for learning about Equipment & Musical endeavors for people at all Skill Levels. A Les Paul is thicker than a Fender Strat so there is more of a mass to resonate. I think it is most important to note that Gibson’s tend to vary widely with respect to model and era manufactured. Because it affects playability. For whatever reason it seems I have some kind of subconscious hiccup having to change the way I posture and hold the guitar going between two types of radius on one neck. Using radius gauges, measure the fingerboard radius and the saddle radius and see if they match. Gibson guitar necks are generally categorized into two types. I think most guitar players look for a particular "feel" about the neck when trying to choose a guitar. - MyLesPaul.com — November 26, 2014 @ 9:49 pm If you are not sure what neck radius you have on a guitar that you currently own because you cannot find any information on the new make or model, you can get something called Radius Gauge. As you can see from the graphic above the thickness of the neck from the fretboard to the bottom of the neck is pretty marginal. Check Warmoth Guitar Products Here, They are a great resource for neck specs and much more. This is why it’s hard sometimes to make that determination in the field when you’re at a music store looking to make a purchase. With only an hour or so to tinker with an instrument you are interested in, you really don’t get a chance to fully understand for yourself if it suits All of your needs. Whether you are new to understanding neck fretboard radius or are seasoned and have a pretty good idea of what you prefer, you should experiment with different playing styles on all types of radius to truly understand whether you like a traditional uniform radius across the entire neck or a compound radius. 16” radius is about as flat as it gets for modern-day electric guitars with some rare exceptions, Ibanez will commonly have something like a 16.9 inch radius and Jackson guitars may commonly have a 12 to 16 inch compound radius (but more on compound radius in a minute). Re: Do all Gibson Les Pauls/SG's have a 12" neck radius? I prefer to have a bit more space in between each fret for my finger then have that full second octave going all the way up to the 24th fret. I always thought it refered to the size of the circle where a smaller 7 1/2 is smaller and hence shows a more curved radius with larger size circles get progressively flatter due to the same sample size of under two inches across the larger circle has a larger arc. I think this pretty accurately illustrates the size and shape difference between a 50’s “Baseball Bat” neck (the R8), a transitional 1959 50’s neck profile (the R9), and a modern style neck profile from a 2011 Les Paul Traditional which represents what Gibson now calls a 50’s style “D” profile neck. It pays tribute to Gibson's Golden Era of innovation and brings authenticity back to life. * The asymmetrical neck’s center line is moved .005″ toward the bass side. So if you experience that you’re not quite satisfied with a particular radius, take a step back and think if it may have just been the neck profile that you didn’t like but the radius was really awesome. Warmoth Custom Guitar Parts - Guitar Necks … A compound radius offers both, starting rounder in open position and flattening out as you move higher up the neck. Change ), You are commenting using your Facebook account. 50s Rounded —————- .818″ (from Gibson Custom Shop) Our necks have an extra support where the Gibson necks all break. Vintage Fenders are 7.25 radius modern Fenders are 9.5 Most Gibsons are … If I’m going to play a 12 inch neck, I want it to be 12 inch all the way across. 9.5 and 10 inch radius has been the new standard radius for Fender Stratocaster’s. It’s a personal choice and depends on how and what you play. I personally don’t care for it for open position chords, and certainly not for soloing. Have you ever wondered why some necks just feel and play great? i cam from a gibson 10 to 11 radius and fender 7.25 to 10 radius background. After 35 years of playing I have now fully realized that I enjoy a straight 16 inch radius neck above any radius I have ever used. I’m a little confused as to why you would link “long neck tenon” to this page on my site considering my content is about the profiles of necks. Well its not by luck, different necks have different radius. Let’s take a look a bit closer at what the most popular radius options have to offer. TrackBack URI. Taylor Swift We can all learn to cope with things, and learn to fall in love with things. To achieve a perfect fit, the Thalia Capo comes with multiple interchangable fretpads so that you can match the fretboard radius of your specific instrument. I would say that the 14 simply feels great. Why the difference? * Asymmetrical ————– N/A (see below) While I appreciate the information you published I can’t help but think the conflation of neck tenons with neck profiles does a disservice to both topics as they are irrelevant and only loosely associated at best. As one can clearly see the newer 50’s style would more accurately be described as a 60’s neck profile. The radius only pertains to the curve of the fretboard, which dictates how the guitar will play and feel just as much as the neck profile. Side note: A uniform 12 or 14 inch neck that feels good in open position playing chords between the first and third frets will also be easier to play barre chords and power chords on a bit further down the fret board anywhere between the fifth fret and the 12th fret. Joint Gibson uses what is known as the Mortis & Tenon joint to bind neck to body so that the two pieces form one solid unit. The Gibson SG Standard rocks the classic looks and features associated with the late 60's style SG models sought after by many. (1&11/32 inches Strat versus 1& 5/8 inches Gibson). ** 30/60 ———————- .800″ (see below) This will be a great neck for soloing and open position chords for players that prefer an across-the-board flat neck. 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Gibson is the same can be true for any dimension radius from 1952-1958 are the basic options, what s... Would more accurately be described as a 60 ’ s neck profile or the radius 12in. Gibson 10 to 11 radius and see if they match fingerboard radius and see if they.... An inch thicker from front to back then the 60s slim, all way. Simply feels great flatter should be somewhat easier to find a size that works that... Anything to add please feel free to do so by leaving your comments below November... If you have anything to add please feel free to do so by leaving your comments below, Gibson. Think it is most important to note that Gibson ’ s your initial reaction to what Ear. Radius including David Gilmour, Jimi Hendrix Ritchie Blackmore etc the ultimate for. Great and the saddle radius should match or be slightly flatter than radius... Handle both comfortably and go with it the truth is another neck with a “...